As the name states- ‘Epic M’ – really is of epic proportions. This was a much anticipated addition to the already exsisting RED productions and possibly, the most sophisticated camera ever engineered and built. In this relatively smaller package contains a 5K Mysterium-X™ sensor along with 27 layer ASIC. The processor is so advanced and the only one in the world that can capture 120 frames per second with each frame at a full 14MP resolution! That is definetly EPIC! Not only does this camera deliver in production, but also the design of the EPIC M has been carefully planned along the stages as well. This purpose-built for sheer perfection of a multi-camera comes into the market at a period in life when 3D capture requires the most sophisticated range to suit the new generation of innovation in technology. This is one product cinematographers just can’t help but fall in love with.
The camera that started a revolution in digital cinema. From its humble beginnings, rising from a smoke cloud of intrigue, labeled a scam and claimed to be impossible technology, the RED ONE has materialized as one of the most significant American inventions of the 21st Century. With over 5 times the resolution of an HD video camera, the RED ONE has earned its rightful place as the successor to 35mm film acquisition. The RED ONE has been responsible for creating thousands of films, from independent to Hollywood blockbuster, as well as a growing impact on the capture of episodic television. In the short span of three years, RED has come to dominate the music video and television commercial landscape, as well. Wherever 35mm film once tread, the RED ONE has emerged, bringing with it the advantages of lower cost, lighter weight, same hour dailies, brilliant workflow and grainless, organic images.
Some call is smart, but the RED RAY is simply a genuis add- on to the extended family of cinema products on offer. It offers the ability to play, in real time, 2K and 4K RAW R3D™ files recorded off the RED ONE or EPIC series. Through its (4) HD-SDI or DVI-D connectors it delivers the quality directly to the projector or panel. Cleverly designed, the connectors allow two simultaaneous 3D HD & 2K streams. RED RAY is the ideal 3D player for the future of 3D content that we all view and enjoy today.
This cleverly designed product RED ROCKET was built especially by RED for Mac, PC and Linux and is the most definite answer to those wishing to view real play back times of $K RGB and transcoding. When this product was introduced to the market back in 2007, the only real transcoding was available for a around the million dollar mark. However, as we move with the times, today these products are available for a mere 5K for 4K footage. It is easier to work with and you can be assured that RED technology is keeping up with the times and is not only affordable but continues to deliver that brilliant product with endless opportunities.
Those at the RED centre of production have a brand new line of cinematography genuis being built at the moment under the name of ‘Scarlet’. Coming very soon is all the information you need and this products sets to excite and deliver as all the RED products do.
Products
EPIC-M
As the name states- ‘Epic M’ – really is of epic proportions. This was a much anticipated addition to the already exsisting RED productions and possibly, the most sophisticated camera ever engineered and built. In this relatively smaller package contains a 5K Mysterium-X™ sensor along with 27 layer ASIC. The processor is so advanced and the only one in the world that can capture 120 frames per second with each frame at a full 14MP resolution! That is definetly EPIC! Not only does this camera deliver in production, but also the design of the EPIC M has been carefully planned along the stages as well. This purpose-built for sheer perfection of a multi-camera comes into the market at a period in life when 3D capture requires the most sophisticated range to suit the new generation of innovation in technology. This is one product cinematographers just can’t help but fall in love with.
RED ONE
The camera that started a revolution in digital cinema. From its humble beginnings, rising from a smoke cloud of intrigue, labeled a scam and claimed to be impossible technology, the RED ONE has materialized as one of the most significant American inventions of the 21st Century. With over 5 times the resolution of an HD video camera, the RED ONE has earned its rightful place as the successor to 35mm film acquisition. The RED ONE has been responsible for creating thousands of films, from independent to Hollywood blockbuster, as well as a growing impact on the capture of episodic television. In the short span of three years, RED has come to dominate the music video and television commercial landscape, as well. Wherever 35mm film once tread, the RED ONE has emerged, bringing with it the advantages of lower cost, lighter weight, same hour dailies, brilliant workflow and grainless, organic images.
RED RAY
Some call is smart, but the RED RAY is simply a genuis add- on to the extended family of cinema products on offer. It offers the ability to play, in real time, 2K and 4K RAW R3D™ files recorded off the RED ONE or EPIC series. Through its (4) HD-SDI or DVI-D connectors it delivers the quality directly to the projector or panel. Cleverly designed, the connectors allow two simultaaneous 3D HD & 2K streams. RED RAY is the ideal 3D player for the future of 3D content that we all view and enjoy today.
OUTPUT FRAME SIZE 4096 (h) x 2160 (v) RGB Video
PLAYBACK FRAME RATE 4K : 23.98, 24, 25 fps
2K : 23.98, 24, 25, 47.96, 48 fps
HD: 23.98, 24, 25, 50, 59.94 fps
VIDEO FILE FORMAT REDRAY™ : 4K RGB, 2K RGB
R3D™ : 4K RAW, 2K RAW *
MP4: 720p 4:2:0 Main Profile **
AUDIO FILE FORMAT Up to 12 channel 24-bit, 48KHz Digital Audio.
PROGRAM OUTPUT 4 x HD-SDI, 4 x DVI-D
4K RGB, 2K RGB, 1080p 4:2:2, 720p 4:2:2
Frame Guide, Timecode, Subtitle Generator
12 channel 24-bit 48KHz uncompressed Digital Audio
MONITOR OUTPUT HDMI : HD Video or System Menus
3.5mm Stereo headphone jack
DIGITAL MEDIA REDFLASH CF, REDFLASH SSD media
Supports USB-2, FireWire 800, e-SATA drives
RIGHTS MANAGEMENT Optional : 128-bit AES Encryption,
KDM Support
REMOTE CONTROL Ethernet, RS422, GPI Trigger
GENLOCK RS-170A Tri-Level Sync
WEIGHT Approx 20lbs.
SIZE 3 RU CONSTRUCTION Aluminum Alloy
TEMPERATURE RANGES Operating Range: 0˚C to +40˚C (32˚F to 104˚F)
Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)
RED ROCKET
This cleverly designed product RED ROCKET was built especially by RED for Mac, PC and Linux and is the most definite answer to those wishing to view real play back times of $K RGB and transcoding. When this product was introduced to the market back in 2007, the only real transcoding was available for a around the million dollar mark. However, as we move with the times, today these products are available for a mere 5K for 4K footage. It is easier to work with and you can be assured that RED technology is keeping up with the times and is not only affordable but continues to deliver that brilliant product with endless opportunities.
Scarlet
Those at the RED centre of production have a brand new line of cinematography genuis being built at the moment under the name of ‘Scarlet’. Coming very soon is all the information you need and this products sets to excite and deliver as all the RED products do.
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