RED ONE

This camera was to be ‘the one’ that revolutionised cinematography around the globe. The RED ONE rose from its humble beginnings and was originally labelled a scam in ways and sceptics world wide were noted for outing it as a impossible technology move.  RED ONE has become one of the most significant innovations in the 21st Centuary delivering over five times the resolution of any high definition camera out there. It has well earnt its place as a major success story in American history.

FEATURES

Thousands of films have been created using RED ONE from the independant movie makers to some of Hollywood’s big shots. A mere three years of life and RED ONE has dominated the music industry, film and television alike. Making film makers jobs easier has been a big drawing card for sales of this particular item and RED ONE continues to be one of the most marketable productions ever produced in cinematography history.

Lenses range in :

18MM

25MM

35MM

50MM

85MM

100MM

300MM

17-50MM

50-150MM

18-85MM

25mm Lense example:

Image Diagona-l 32mm

T-stop Range T1.8-T22

Image Space Angle RED-centric Minimum Lens Resolution 100 Center

63 Edge Max. Optical Distortion- (S35) 4.0%

Full S35 Dia. -Angular FOV 62.0°

H x V FOV for S35 Format 55.8° x 31.1°

Minimum Object Distance 101.6mm (4″)

Close Focus from Front Lens 101.6mm (4″)

Close Focus from Sensor 304.8mm (12″)

Lens Front Diameter 110mm

Total Weight 6.16lbs

Mount Arri PL

Operating Temperature -5° to +50° C